Italian-Brazilian soprano Camila Provenzale, born in São Paulo and based in Zurich, has sung with great orchestras in various prestigious concert halls and opera houses around the world.

Camila was a prize recipient at the Neue Stimmen Singing Competition in Germany and won the First Prize at the Maria Callas Competition in Brazil. She was also a prize recipient of the Paris Opera Competition at the Théâtre des Champs-Élysées in Paris, received awards at the Giusy Devinu Competition in Cagliari, Italy, and represented Brazil as a finalist in the BBC Cardiff Singers International Singing Competition in Wales.

She opened the 2016 Bregenz Festival with Vienna Symphony Orchestra and Maestro Paolo Carignani. She made her French debut in 2017, as the Countess of Almaviva (Le nozze di Figaro) at the Opéra de Toulon, the same year she performed Villa-Lobos' Bachianas Brasileiras n.5 at the Teatro Real in Madrid.

In 2018 and 2019, she was regularly invited to sing with Plácido Domingo at concerts in Ljubljana, Strasbourg, Valencia, Boston and Aarhus. Since then, Camila has sung various roles, such as: Donna Anna (Don Giovanni) at the Théâtre des Champs-Élysées, Paris; Hanna Glawari (Die Lustige Witwe), Theatro Municipal of São Paulo; Marianna Alcoforado at the World Premiere of the contemporary Opera Monodrama, Cartas Portuguesas (Ripper) with Osesp, in São Paulo; Fiordiligi (Così fan tutte) at Garsington Opera Festival in London; Pamina (Die Zauberflöte) at Teatro Solís in Montevideo and Palácio das Artes in Belo Horizonte and Bachianas No. 5 (Villa-Lobos) with K Ensemble for Cartier Foundation, in Dubai.

Recently, Camila was acclaimed by critics for her debut as Micaëla with the Opera North company, in England.
Camila Provenzale is recognised by her unique musicality also in the Symphonic repertoire, having sung all Mahler symphonies as well as Carmina Burana, Beethoven, Mozart, Villa-Lobos and contemporary composers as Krieger, Ripper, among others.

From 2022 on, in celebration of 200 years of Brazilian independence, Provenzale has sung the Villa-Lobos Amazon Forest suite around the world, with the Opera de Rouen, Santa Cecilia Orchestra, Philharmonie de Paris, Barbican-British Symphony Orchestra, São Paulo and Theatro Municipal of Rio de Janeiro.
In an upcoming album release by Naxos, Provenzale joins guitarist Fabio Zanon in repertoire of Classical Brazilian Songs as part of the series The Music of Brazil.

Recent appearances included Camila Provenzale’s debuts at Carnegie Hall and at the Zürich Opera House with the Philharmonia Zürich. 

Camila Provenzale (Titinger) as Micaela
Leeds Grand Theatre
Opera North, october 2021

"There are also striking turns from Camila Titinger, who brings real pathos to the part of Micaela—the woman abandoned by José in favour of Carmen."
James Ballands, British Theatre Guide

"…. Micaela - a performance of infinite colour from soprano Camilla Titinger."
Geoffrey Mogridge, Ilkey Gazette

"Her more conventional rival, Micaela – here pregnant with Don José’s child, though his interest in her is minimal – receives an impressively lyrical interpretation from Camila Titinger.
George Hall, The Stage

"Throughout, he sets her upon an earnest mission to deliver sorrowful messages to Don José from his dying mother. She sings her arias most beautifully, with an almost Puccinian rapture, the stamp of unconfined lyricism marking her entire performance."
Tom Tollet, Leeds Living

"...and Camila Titinger’s soft-toned Micaëla has power where it counts."
Erica Leal, The Guardian

"Soprano Camila Titinger played Micaela with considerable force and subtlety, the pathos very apparent whenever she appeared."
Richard Wildocks, Bach Track

"Camila Titinger, the Italian-Brazilian soprano, has a lovely voice and succeeded well in being the spurned and heavily pregnant Micaela."
Richard Trinder, Yorkshire Times

"...Camila Titinger caresses her bump for extra pathos as she sings her main aria so beautifully!"
Eileen Caiger Gray, Mature Times – The voice or our generation